• YOU MUST BRING YOUR STUDENT ID CARD (OR PHOTO ID) TO THE EXAM
• It will have some multiple choice, some "fill in the blank," some essay answer.
• You will NOT need a blue (examination) book.
• Please bring a pen only.
• The exam will only take around 90-120 minutes.
STUDY GUIDE: HERE ARE SIGNIFICANT MATERIALS FROM THE LECTURES WHICH EXAM QUESTIONS MAY ADDRESS (MORE ITEMS WILL BE ADDED AFTER CLASS THURSDAY OCT 10th):
[Not all of these materials will be on the exam, but if you have a fair understanding of the below materials, you should do fine on the exam. PLEASE MAKE SURE TO DO ALL OF THE READINGS ASSIGNED TO DATE]
PEOPLE TO KNOW: Park Dae-Sung ("Minerva") • Tyler Clementi (and his room mate Dharun Ravi) • Gae-Ttong Nyue ("Dog Poo Girl") • Thomas Sawyer vs. Amir Tofangsazan • Jason Fortuny ("Craigslist Experiment") • Jessica Rose Lee ("Lonelygirl15") • Maru (the cat) • Al Gore ("The Gore Bill") • Sen. Ted Stevens ("A Series of Tubes") • Tim Berners-Lee • Megan Meier (and Lori Drew) • Aaron Barr and HBGary • MistahX (Luis Mijangos) • Tyler Clementi and Dharun Ravi
TERMS AND CONCEPTS TO KNOW AND UNDERSTAND: 419 Scams • Scambaiting • Jokeman/Guyman • Mugu • Anonymous (the group) • Project Chanology • Guy Fawkes Mask = "Epic Fail Guy" • "web log" (Jorn Barger - 1997) "blog" (Peter Merholz - 1999) • DDoS (Distributed Denial of Service) • "The Internet" vs. "The World Wide Web" • ARPAnet (the origins of the modern Internet) • "Web 1.0" vs. "Web 2.0" • L337 • NSFW (and why people use this) • "Darknet" • "On the Internet, nobody knows you're a dog" • troll • DNFTT • lurker • sockpuppet • bacn • googlewashing • black hat SEO • chu(bou) (Japanese) • emoticons (and why we are now using them) • "The Runescape Mugging" • "The Habbo Hotel Robbery" • "The SIM Mafia" • Goldfarming • “Expressions Given” and “Expressions Given Off” • “Impression Management” • Cherryblossoming • Astroturfing • Crowdturfing • “Front Stage” vs. “Back Stage” • Cooley’s “Looking-Glass Self” • Dunbar’s Number and “Strong” and “Weak” social ties • Defining “Public” and “Private” • Oversharing • Gatekeeping (Institutional, Traditional Publishing, Personal Information) • The “Streisand Effect” (Reactance) • 8-Bit Culture • Chiptunes • Gameboy Music
NOTES FROM THE READINGS:
Ray Maratea, “The
e-Rise and Fall of Social Problems: The Blogosphere as a Public Arena”
Public
problems are brought to the attention of the public by individuals or groups
(“claims-makers”); however, in older/traditional media types, problems brought to
public attention by claims-makers compete for the public’s attention and
interest, because traditional media types were a very limited arena (limited
time and publishing space to address all social problems). In essence, public attention is a scarce resource
and thus not all public problems get broadly recognized.
The issues
most likely to become publicly recognized have certain characteristics in
common, and effective bloggers have been found to utilize these characteristics
: 1). Drama - they are presented by claims-makers in a “dramatic and persuasive
manner” 2). Novelty and Saturation - the claims-makers need to remind the
public of the importance of a problem, while simultaneously avoiding
over-saturation of the media and redundancy (repeating the same message over
and over in the same way) 3). Political and Economic Interests - when the
problems have political and economic importance 4). Organizational
Characteristics - the specific nature of each publication arena affects what is
deemed as an important problem to address 5). Cultural Preoccupations - problems
which relate to (and are compatible with) cultural concerns are often more
likely to become recognized.
Audiences (public attention) now has an
exponentially great volume of news information at their disposal; information
can now be rapidly published to the audience, and at any time of day – on-demand
news, and in great volume.
Blogging
may aid in public problem “claims-making” because they have several attributes
that are different than traditional news media: the hierarchical nature of
blogs (some have large readerships – providing new media arenas for attracting
public attention to social problems), the ability to publish information at any
time of the day (compared to traditional media types, which publish perhaps
once a day), an increased ability (compared to traditional media) to support
problem claims (longer time can be dedicated to addressing a problem), the
bloggers’ ability to legitimate their claims through outside verification
(bloggers can and do cite and refer to legitimate authorities regarding certain
facts and issues), and the “circulation of claims through personalized
narratives. . .suited for the audiences of tight-knit blogging communities”
(this can stimulate discussion among readers).
John Suler, “The Online Disinhibition Effect”
The points which Suler states as motivating factors in
“Online Disinhibition” are: Asynchronicity, Dissociative Anonymity,
Dissociative Imagination, Invisibility, Minimization of Status, and Solipsistic
Introjection.
Adam Hyde, et al.
“What is Collaboration Anyway?”
“Shared”
content is associated with a single author or source, and stands alone. “Collaboration” is content contributed and
modified by multiple authors or sources, in a coordinated effort. The individual contributions which compose a
collaborative work cannot and do not stand alone, but when together constitute
a single work. Collaborative works have
a single goal (examples given are Wikipedia entries, where each contributor
adds to or edits a given Wikipedia entry for the goal of improving the given
entry).
Some
cautions: the example of Stephen Colbert’s campaign to intentionally contribute
misinformation to Wikipedia’s entry on “elephant” (a large group, working in
collaboration, can also generate an incorrect perception that because enough
people contribute to a work, that the information they produce must be
correct); musician Kutiman created a “mash-up” of several musicians’ music
videos, however this does not constitute “collaboration” because each musician
was not knowingly contributing to a common goal. This article also includes a detailed list of
criteria for assessing the “strength” of a collaboration.
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